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"Acrylics for Oil Painters" (January 2027) with Marc Hanson



ACRYLICS FOR OIL PAINTERS
with Guest instructor Marc Hanson

WHEN: 

3 FULL-DAYS
Thursday to Saturday (10am - 4pm)
January 28, 29, 30, 2027

WHERE: 
Art League Academy
(106 Cordillo Parkway, Hilton Head Island, SC)


This class is for painters who want to try out acrylics as an alternative to oil paints, or to enhance their acrylic painting experience. It would be most beneficial if you have some painting experience in either oil or acrylic, and are just looking for some guidance with the acrylic medium.

If you’ve ever thought about working with acrylics as an alternative to oil paints, this workshop will dive deep into how that might be an option for your work. After many years of painting with oil paints, I have a few things to share about making acrylics part of your arsenal. I’ve battled acrylics, experimented with them, read about technique and materials, practiced tirelessly, been frustrated by them often, and succeeded in conquering them once in a while, over the last 10 years. I now use acrylics for about 90% of my work.

In the workshop we will cover the paint, mediums and supplies for both studio and plein air work, the ‘whys’ and ‘why maybe nots’ of technique and methods for working with fast drying acrylics, and how to adapt to that if you are used to paint taking forever to dry!

Each morning will begin with a Q&A about anything acrylic, followed by an instructional demo period, and then a student work period in the afternoon. Students will work from their own photos and/or field studies on substrates that are up to 30” maximum length or height. The supply list will go into more detail about what’s needed for the workshop.


SKILL LEVEL:
This class was designed for students that have some experience, as the amount of information would be difficult for a true beginner.

REFUND POLICY:
Class fees to Art League of Hilton Head events are final. Credits or Refunds will not be given for missed classes/workshops.

In situations where a class or workshop is canceled by Art League of Hilton Head, a full refund will be given.


Skill Level: Intermediate
Skill Details: This class is appropriate for intermediate and advanced level students
Materials Included: No materials are included in this class. A list of materials you should have available will be provided upon registration.
Requirements:

Acrylic Workshop Supply List 2027

Printable PDF of the Supply List

This list will get you prepared for the workshop. As you will discover, there are many, many options for supplies and techniques for painting with acrylics. I will cover quite a few, but there are always others to learn about.

As I always tell students, ideally, it would be best if you can come to class the first day with these basic supplies. That will make your understanding of what I talk about and demonstrate, and your own painting in the class, that much easier. The palette listed below with *’s are what I would consider a basic color selection if you don’t have any acrylics at all.

If you already have acrylic supplies that you’re comfortable with, then by all means bring those along. This is a “suggested” supply list so that if you have equipment and supplies that are similar to what I am listing here, you may use those. Don’t go out and purchase this entire list of supplies if you don’t need them.

Paints

I prefer to use Golden or Utrecht Heavy Body Acrylic paints. I like the pigment load of both brands, the value remains when they dry, their texture is similar to oil paints, and they hold brush strokes well.

Other brands that are also good choices:

  • Winsor & Newton Acrylics
  • Liquitex Heavy Body Acrylics
  • Sennelier
  • Holbein

THIS IS A SPLIT-COMPLEMENTARY PALETTE. Two of each of the primaries, yellow, red and blue, each one leaning towards a yellow/red or blue. Plus yellow ochre for convenience.

Required Palette Colors

  • *Titanium White
  • *Cadmium Yellow Light (bluish)
  • *Cadmium Yellow Dark (reddish)
  • *Yellow Oxide
  • *Cadmium Red Light or Pyrrole Red Light (yellowish)
  • *Alizarin Crimson Hue (bluish)
  • *Manganese Blue Hue (yellowish)
  • *Ultramarine Blue (reddish)

(* Indicates the colors basic minimum colors required if you’re new to acrylics.)

Additional Colors If Desired

  • Burnt Sienna
  • Titanium Buff
  • Utrecht Viridian Hue
  • Golden Permanent Maroon
  • Cobalt Blue

There are many other colors to try. Feel free if you have the desire and budget to do that.

Brushes

I prefer stiffer synthetic brushes, but also use traditional hog bristle brushes. Also, any short handled brushes that might be used for details, are fine.

Flats and Brights are the brush styles I use the most. Sizes from 1/2" wide to 1-1/2" wide.

Some other brushes I paint with a lot are hog bristle fan brushes, inexpensive (Blick 3 pack) 1", 2" & 4" flat brown nylon brushes.

Some brands I use are:

  • Princeton Catalyst Polytip Bristle Brushes
  • Utrecht Rhenish Pure Hog Bristle Brushes
  • Princeton Dakota Series 6300 Firm Synthetic

Palette or Mixing Area

Either of the following color mixing palettes are fine. I use both palettes for mixing paint that are listed below, and will talk about the benefits of one over the other during the workshop. Anything will work… a butcher tray, plastic baking tray, piece of plexiglass, anything that is non-absorbent and can be cleaned easily is suggested.

  • Masterson Sta-Wet Palette Seal — an airtight palette with a system of a sponge and special paper that keeps the paints wet while working. Mostly I use the airtight palette and lid without the sponge and paper. Using those inserts tends to water down the paint piles too much for my use. But the palette itself is nice because sealed, it will keep your paints wet for some time.
  • Or — Richeson Grey Matters Paper Palette — this is a “dry” palette pad of coated paper toned grey.

Paint Container

Here’s an item that is indispensable in my opinion. These are what you dispense your paint colors into to keep the piles of color from drying out. Any 7 day a week pill container that seals tight will work. There are many of them at most any pharmacy, grocery pharmacy, etc.

But my favorite one that I use is available either online from Amazon, or at most any Michael’s Art and Crafts Store. These are very large and have a lid locking mechanism that works great! It limits you to 7 colors, but you can have additional colors that you squirt out on the palette. When I’m done at the end of a painting session I slip it into a Zip-Loc bag to keep the paint fresh.

Here’s a link…

Amazon.com: Craft Mates Items Craft & Sewing Supplies Storage, 7 Locking Compartments (3XL), Clear Lids

For a larger palette, I use a Plano Waterproof #3700 StowAway 9"x14"x1.88" tackle organizing box. It has latches, is watertight and the compartments don’t allow paint to spill from one color to the others. You can divide it into however many compartments (for colors) that you want by adding dividers. I’ll show you mine at the workshop and how I deal with it.

Here’s a link…

Plano Waterproof #3700 StowAway

Painting Surfaces

One of the nice things about acrylics is that the surfaces that you can paint on are wide and varied, some needing no preparation, like paper. From that to stretched canvas, to primed wooden boards, canvas boards, etc. It really comes down to your preference. If you’re new to acrylic, try as many of them as you can. By doing that you’ll find out what suits you the best. Just be sure that they are “acrylic primed,” not “oil primed.”

For the class I would suggest either stretched canvas, or primed cradled panels. For the class anything that has a “universal” or acrylic priming, will suffice. My favorite acrylic primer so far is Utrecht’s “Ultra Thick Professional Acrylic Gesso.”

Canvas Sizes — Bring 2 or 3

For this class we are going to work a little larger in the studio so I suggest possibly 16x20, 18x24, 24x30, or a size that you’re comfortable with working on for a couple of days.

  • If you’re experienced, you may want larger sized surfaces.
  • If you’re brand new to acrylics, smaller sizes make sense.

Mediums

Although I do not require any mediums, if you do want to try one I would bring Golden Gloss Medium. During the workshop I will talk about other mediums, their plus and minuses, that might be interesting for you to try. To start with, just using paint is enough.

Easel

(This only applies to plein air classes)

I use either a French style easel or a tripod mounted easel. The easel I use is the Art Box and Panel. You can find them on their website I prefer the Standard or Compact size palette. On the website the owner, Jim Coulter, offers a complete set with the easel, staff and tripod, for a very reasonable price.

If you will need to sit to paint, you should have some sort of table top easel. I don’t have experience with these easels, so I’d suggest talking to someone you know who does. Or talk to the people downtown at Blick.

Miscellaneous Supplies

  • Water container (at least a quart-sized plastic bucket or plastic tub)
  • VIVA paper towels (brand specific because they absorb the water best)
  • Optional: a palette knife for mixing colors
  • A trash bag for waste paper towels
  • Dawn detergent for washing out brushes
  • Large Zip-Loc bags to put soiled brushes in
  • Charcoal or graphite pencil for sketching in painting. I use a brush with thin paint, but if you’re more comfortable with a drawing tool bring that.



QUESTIONS? Email academy@artleaguehhi.org.
Instructor: Marc Hanson
Instructor Bio:
MARC R. HANSON, O.P.A.M. was born 1955.

Having grown up in a military family, Marcs youth was spent on the move. He was born in Oxnard, California and spent some of his early school years there. But his geographical resume soon included Alaska, Florida, Arkansas, Nebraska, South Dakota and Norway. After his fathers retirement from the Air Force, Marcs family settled in the small northern California community of Loomis. Marc began college as a biology major, but soon applied to and was accepted into Art Center College of Design in Pasadena, California, majoring in illustration. After Art Center and a brief stint as a staff illustrator in Sacramento, California, Marc moved to Minnesota where he lived for 33 years while raising a family and pursuing his art. He currently lives near Savannah, GA on Tybee Island.

I have pursued a career as a painter for many years now. Along the way my methods, materials and focus have evolved. A naturalist at heart, the landscape is the perfect vehicle for expressing the joy I have for the world that surrounds me. My real interest and challenge as a painter is how to best manipulate the core principles of painting into effective visual statements. Im most successful when Im able to communicate that joy to the viewers of my paintings.

Marc teaches landscape painting workshops locally and nationally. I love working with other painters in their pursuit to better their craft. My goal is not to have them assimilate my style and technique, but to teach them how to more closely examine the subject and apply the principles that representational painters must follow to become effective visual communicators. Marc has shown his work in galleries and museums nationally and internationally since the early 1980s.

He is a Master Signature Member of The Oil Painters of America (O.P.A.M.), having won an Award of Excellence at the O.P.A. National Exhibit in 2000, 2007, 2009, 2010 and 2011. In 2011 Marcs painting Right or Left was awarded Bronze Medal for Painting at the OPA National Exhibition in Coeur d Alene, ID. Among his many awards, hes placed four times in The Pastel Journals Pastel 100 competition.

Other Recent Awards- ~ IAPS ~ HK Holbein Award ~ All Member Online Exhibition 2020 ~ NOAPS ~ Award of Excellence Fall 2020 International Online Exhibition 2020 ~ OPA Virtual Juried Salon ~ Bronze Medal Master Signature Division 2020 ~ OPA Virtual International Wet Paint Competition ~ Award of Excellence 2020 ~ OPA Eastern Regional Exhibition ~ Master Signature Division Award of Excellence 2020 ~OPA Eastern Regional Exhibition ~ Gold Medal Master Signature Division 2019 ~ OPA Salon Show, Crooked Tree Arts Center, Traverse City, MI ~ Bronze Medal Master Signature Division 2018 ~ NOAPS Fall 2017 Online International Exhibition ~ Third Place Award ~ Best of Show - 2017 ISAP International Society of Acrylic Painters 2nd Annual All- Member Online Exhibition ~ OPA Regional Exhibition, Illume Gallery, St George, UT ~ Gold Medal Master Signature Division 2017 ~ OPA Regional Exhibition, Anderson Fine Art, St. Simons Island, GA ~ Silver Medal Master Signature Division 2017 ~Door County Plein Air Festival - Honorable Mention 2011, Artist Choice and First Place 2012, First Place 2013, Third Place 2015 ~ Olmsted Plein Air Invitational, Atlanta, GA - Cezanne Best Landscape Award 2017 ~ Olmsted Plein Air Invitational, Atlanta, GA - Jurors Choice Award - 2017 ~ Olmsted Plein Air Invitational, Atlanta, GA - Cezanne Best Landscape Award 2016 ~ Oil Painters of America - Master Signature Member Status (OPAM) 2016 ~Door County Plein Air Festival - Honorable Mention 2011, Artist Choice and First Place 2012, First Place 2013, Third Place 2015 ~ RMPAP ( Rocky Mountain Plein Air Painters) Paint the Park - First Place 2014, RMPAP Rocky Mountain NP Plein Air- Best Body of Work 2014, RMPAP Paint the Park - Best Body of Work and Award of Excellence 2015 ~ Olmsted Plein Air Invitational, Atlanta, GA - Francesca Kerpel Wenger Best Sense of Place Award 2015 ~ PAAC ( Plein Air Artists Colorado)- Third Place 2015 Recent Publications- ~ Plein Air Magazine - Feature and Cover 2013 ~ Southwest Art Magazine - Feature and Cover 2012 ~ Additional articles in the trade magazines where his art has been featured 2011- 2017 ~ Book - Oil Painting Secrets with the Masters (Auth. Cindy Salaski/Publisher Northlight Books) 2014 ~ Art Collector 2007, 2008, 2009, 2010, 2011 ~ The Artists Magazine 2005 ~ Plein Air Magazine Featured
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